2009 Nebula Award Nominees from Semiprozines

The 2009 Nebula Awards ballot is now available and includes the following works originally appearing in semiprozines:

Short Story

  • Non-Zero Probabilities” by N. K. Jemisin (Clarkesworld, November 09)
  • Spar” by Kij Johnson (Clarkesworld, October 2009)

Novelette

Novella

Congratulations to Clarkesworld, Interzone, Nora, Kij, Eugie and Jason!

Semiprozine Short Stories on the Locus Recommended Reading List

The 2009 Locus Recommended Reading list has been published. The following short stories from semiprozines made the list:

Clarkesworld Magazine

Fantasy Magazine

Interzone

  • “Home Again” by Paul M. Berger, 3-4/09
  • “Lady of the White-Spired City” by Sarah L. Edwards, 5-6/09
  • “Butterfly Bomb” by Dominic Green, 5-6/09

Clarkesworld Issue 41 : February 2010

cw_41The February 2010 issue of Clarkesworld Magazine is now available online.

FICTION
Torquing Vacuum by Jay Lake
Torquing Vacuum (AUDIO VERSION) by Jay Lake, read by Kate Baker
The Language of the Whirlwind by Lavie Tidhar

NONFICTION
Chameleon of the Fantastic: An Interview with Jeffrey Ford interview by Jason S. Ridler
Earth Science Gets No Respect by Russ Colson
2009 Reader’s Poll Results

COVER ART
Transfiguration of Sergeant 05 by Bryan Sola

On the 15th of February, our podcast will feature The Language of the Whirlwind by Lavie Tidhar.

GUD Issue 5 :: Winter 2009

From GUD, news of their 5th issue:

Issue 5 wraps a scientific core with our most eclectic selection to date—including two mini graphic novels and a script that will have you bubbling over with mirth.

We open with Rose Lemberg’s “Imperfect Verse”, a tale of poetry, deception, and warring gods; then span the years to Andrew N. Tisbert’s “Getting Yourself On”, which sees mankind taken to the stars but suffering new forms of wage-slavery.

There’s science fiction that stretches to the fantastic, science that once stretched the fantastic and has now become brilliantly pervasive, and dollops of science in otherwise mundane lives (see “The Prettiest Crayon in the Box”).

Of course, we’ve got fantasy, psychological horror, humor, and drama; poetry serious, sublime, and satirical; and art that stretches from the real, to the surreal, to the violently semi-abstract.